Toni braxton babyface dating
"So you think this guy was this drunk, punkish dude and all the sudden he's really sensitive and really vulnerable.Because he's got you looking both ways, it's bigger, it hits harder."If you listen to my songs, they tell stories," Missy Elliott has said."I write almost as if I'm in conversation with somebody." The crucible of her collaboration with Timbaland was the Swing Mob, a loose constellation of performers and producers who worked with Jodeci's De Vante Swing in the early Nineties.But that multiplatinum triumph was just the tip of the iceberg: Australian brothers Barry, Robin and Maurice Gibb were massively successful songwriters for decades.Elton John has called them "a huge influence on me as a songwriter"; Bono has said their catalog makes him "ill with envy." The Bee Gees' earliest hits ("New York Mining Disaster 1941," "To Love Somebody") were melancholy psychedelia, and their first U. Number One single, "How Can You Mend a Broken Heart," was promptly covered by Al Green.
"I have dyslexia, and I've used it to its best advantage." With a talent for wordplay that can be as head-spinning as it is disturbing, and a knack for incessant sing-song choruses that suggest he might've thrived in a Brill Building cubicle, Eminem crams hugely popular songs with more internal rhymes and lyrical trickery than anyone else in contemporary pop.
"Hi, I'm Taylor," she told the crowds on her Red tour. I'm told I have a lot of feelings." Swift's first three albums display her emotional yet uncommonly inventive country style — even early hits like "Our Song" and "Tim Mc Graw" sound like nobody else.
(Only she could slip the line "Any snide remarks from my father about your tattoos will be ignored" into a teen romance like "Ours.") But she's really hit her stride with the pop mastery of Red and 1989, especially on confessional ballads like "Clean" and "All Too Well." There's no limit to where she can go from here.
Tim and Missy started working in earnest as a writing team in 1996, when they collaborated on most of Aaliyah's One in a Million.
That was followed by Missy's 1997 breakthrough Supa Dupa Fly — a set of cool, witty, deceptively minimal tracks that flipped between hip-hop, R&B and electronica with finger-snapping ease — and a string of genre-melting records like "Get Ur Freak On" and "Work It" that lasted until the early 2000s.